CLOSING NIGHT

Ice and the Sky, Luc Jacquet

OFFICIAL COMPETITION

Carol, Todd Haynes
Macbeth, Justin Kurzel
Dheepan, Jacques Audiard
The Measure of Man, Stephane Brize
Marguerite and Julien, Valerie Donzelli
The Tale of Tales, Matteo Garrone
The Assassin, Hou Hsiao Hsien
Mountains May Depart, Jia Zhangke
Our Little Sister, Hirokazu Koreeda
The Lobster, Yorgos Lanthimos
Mon roi, Maiwenn
Mia Madre, Nanni Moretti
Son of Saul, Laszlo Nemes
Youth, Paulo Sorrentino
Louder Than Bombs, Joachim Trier
Sea of Trees, Gus Van Sant
Sicario, Denis Villeneuve
Cronic, Michel Franco
Valley of love, Guillaume Nicloux

OUT OF COMPETITION

Standing Tall (La Tete Haute), Emmanuelle Bercot
Mad Max: Fury Road, George Miller
Inside Out, Pete Docter & Ronaldo Del Carmen
Irrational Man, Woody Allen
The Little Prince, Mark Osborne

UN CERTAIN REGARD

Opening Night: An (Sweet Red Bean Paste), Naomi Kawase
Madonna, Shin Suwon
Maryland, Anna Winocour
The Fourth Direction, Gurvinder Singh
Masaan (Fly Away Solo), Neeraj Ghaywan
Hruter (Rams), Grimur Hakonarson
Kishibe No Tabi (Journey to the Shore), Kiyoshi
Je Suis Un Soldat (I Am a Soldier), Laurent Larivere
Zvizdan (The High Sun), Dalibor Matanic
The Other Side, Roberto Minervini
One Floor Below, Radu Muntean
Shameless, Oh Seung-Uk
The Chosen Ones, David Pablos
Nahid, Ida Panahandeh
The Treasure, Corneliu Porumboiu
Alias Maria, José Luis Rugeles
Taklub, Brillante Mendoza
Lamb, Yared Zeleke
Cemetery of Splendour, Apichatpong Weerasethakul

MIDNIGHT SCREENINGS

Amy, Asif Kapadia
Office, Hong Won-Chan
Love, Gaspar Noé

SPECIAL SCREENINGS

A Tale of Love and Darkness, Natalie Portman
Asphalte, Samuel Benchetrit
Panama, Pavle Vuckovic
Amnesia, Barbet Schroeder
Hayored Lema’Ala, Elad Keidan
Oka, Souleymane Cisse
Une histoire de fou (Don’t Tell me the Boy was Mad), Robert Guédiguian

DIRECTORS FORTNIGHT

Opening Night: L'Ombre des femmes, Philippe Garrel
Closing Night: Dope, Rick Famuyiwa
Special Screening: Yakuza Apocalypse (Gokudo daisenso), Takashi Miike
My Golden Years, Arnaud Desplechin
Arabian Nights, Miguel Gomes
Allende, Marcia Tambutti
A Perfect Day, Fernando Leon de Aranoa
Green Room, Jeremy Saulnier
The Cowboys (Les Cowboys), Thomas Bidegain
Fatima, Philippe Faucon
Embrace of the Serpent (El abrazo de la serpiente), Ciro Guerra
Songs My Brothers Taught Me, Chloe Zhao
Much Loved, Nabil Ayouch
Mustang, Deniz Gamze Erguven
Peace to Us in Our Dreams, Sharunas Bartas
The Here After (Efterskalv), Magnus von Horn
The Brand New Testament (Le Tout Nouveau Testament), Jaco Van Dormael

CRITICS WEEK

Opening Night: The Anarchists, Elie Wajeman
Closing Night: La vie en grand, Mathieu Vadepied
Degrade, Arab & Tarzan Abunasser
Krisha, Trey Edward Shults
Mediterranea, Jonas Carpignano
Ni le ciel, ni la terre, Clement Cogitore
Paulina, Santiago Mitre
Sleeping Giant, Andrew Cividino
La tierra y la sombra, Augusto Cesar Acevedo
Les deux amis, Louis Garrel
Shorts:
Everything Will Be Okay, Patrick Vollrath
Boys, Isabella Carbonell
Command Action, Joao Paulo Miranda Maria
La Fin du Dragon, Marina Diaby
The Fox Exploits the Tiger’s Might, Lucky Kuswandi
Monsters Turn Into Lovers, Yann Delattre
Love Comes Later, Sonejuhi Sinha
Ramona, Andrei Cre?ulescu
Too Cool for School, Kevin Phillips
Chickenpox, Fulvio Risuleo

CLASSICS

Orson Welles Centennial

Citizen Kane by Orson Welles (1941, 1h59)
A Warner Bros. presentation. The 4k restoration of Citizen Kane was completed at Warner Brothers Motion Picture Imagery by colorist Janet Wilson, with supervision by Ned Price. The image was reconstructed from three nitrate fine grain master positives as the original camera negative no longer survives. Optical soundtrack "RCA squeeze duplex format."

The Third Man (Le Troisième homme) by Carol Reed (1949, 1h44)
A Studiocanal presentation. Intermediate film print, 2nd generation of nitrate film (non-existent original negative), scanned in 4K and restored frame by frame in 4K by Deluxe in England. Restoration supervised by STUDIOCANAL.

The Lady from Shanghai (La Dame de Shanghai) by Orson Welles (1948, 1h27)
Presented by Park Circus. Restoration in 4K at Colorworks at Sony Pictures. The nitrate original negative was scanned in 4K at Deluxe in Hollywood before digital restoration, part of the work completed at MTI Film in Los Angeles. Sound restoration at Chase Audio at Deluxe, color grading and DCP prepared by Colorworks.

Orson Welles, Autopsie d’une légende by Elisabeth Kapnist (2015, 56mn)
Produced by Phares et balises and Arte France.

This Is Orson Welles by Clara and Julia Kuperberg (2015, 53mn)
Produced by TCM Cinéma and Wichita Films.

Restored Prints

Rocco e i suoi fratelli (Rocco and His Brothers/Rocco et ses frères) by Luchino Visconti (1960, 2h57)
A presentation of The Film Foundation. 4K restoration carried out by Cineteca di Bologna at L’Immagine Ritrovata Laboratory, in association with Titanus, TF1 Droits Audiovisuels and The Film Foundation. Restoration with funding provided by Gucci and The Film Foundation.

Les Yeux brûlés by Laurent Roth (1986, 58mn)
A presentation by the CNC and the ECPAD with Laurent Roth in attendance. Digital restoration made from 2K scanning of the 35mm négatives and the scanning of original elements if they were still existent from archive images. Restoration made by the laboratory of the CNC at Bois d'Arcy.

Ascenseur pour l’échafaud by Louis Malle (1958, 1h33)
2K restoration presented by Gaumont. Work on the image done by Eclair, sound restored by Diapason in parternship with Eclair.

La Noire de... (Black Girl) by Ousmane Sembène (1966, 1h05)
Restored by The Film Foundation’s World Cinema Project in collaboration with the Sembène Estate, Institut National de l’Audiovisuel, INA, Eclair Laboratories and the Centre national du cinéma et de l’image animée, CNC. Restoration carried out at Cineteca di Bologna/L'Immagine Ritrovata Laboratory. Preceded by the documentary SEMBENE! by Samba Gadjigo and Jason Silverman (2015, 1h22). Produced by Galle Ceddo Projects, Impact Partners, New Mexico Media Partners, SNE Partners.

Insiang by Lino Brocka (1976, 1h35)
Insiang was the first Filipino feature film to be presented at Cannes. Restored by The Film Foundation’s World Cinema Project and Cineteca di Bologna/L'Immagine Ritrovata. Restoration funding provided by The Film Foundation's World Cinema Project and the Film Development Council of the Philippines.

Sur (The South / Le Sud) by Fernando Solanas (1988, 2h03)
Presented by Cinesur and Blaq Out in partnership with UniversCiné and the INCAA. HD restoration made by Cinecolor laboratory-Industrias Audiovisuales S.A, headed by Roberto Zambrino and supervised by Fernando Solanas upon the occasion of the restoration of all his films which will be released as a DVD boxset (Blaq Out editions).

Zangiku Monogatari (The Story of the Last Chrysanthemum / Le Conte du chrysanthème tardif) by Kenji Mizoguchi (1939, 2h23)
A presentation of Shochiku studio. The digital restoration is from a 4K film transfer (2K projection) by Shochiku Co., Ltd.

Jingi Naki Tatakai (Battles without Honor and Humanity aka Yakusa Paper / Combat sans code d’honneur) by Kinji Fukasaku (1973, 1h39)
A presentation of TOEI COMPANY, LTD. The film has been restored from 4K 35mm print original negative into 2K digital by TOEI LABO TECH. The film will be distributed in France by Wild Side Films.

Szegénylegények (The Round-Up / Les Sans espoir) by Miklós Jancsó (1965, 1h28)
A presentation of the Hungarian National Film Fund and of the Hungarian National Digital Film Archive and Film Institute (MaNDA). In competition at the Festival de Cannes in 1966. 2K film and sound restoration by the Hungarian Filmlab from the 35mm negative.

Les Ordres (Orderers) by Michel Brault (1974, 1h48)
A présentation of « Éléphant, mémoire du cinéma québécois. » HD scanning from three sources: original negative 35 mm A and B colors, 35 mm intermediate film print and internegative. Restored sound from a 35 mm three-track magnetic mix. Restorations lead by Marie-José Raymond, and the color grading lead by Claude Fournier with director Michel Brault at Technicolor Montréal.

Panique by Julien Duvivier (1946, 1h31)
Presented by TF1 DA. As the original negative has disappeared, a 2K restoration from the nitrate intermediate film print done at Digimage.

Xia Nu (A Touch of Zen) by King Hu (1973, 3h)
A presentation of the Taiwan Film Institute. The first Taiwanese film and the first film in Mandarin presented at the Festival de Cannes. 40th anniversary of the Grand Prix de la Commission Supérieure Technique in 1975. Digital restoration made in 4K by the Immagine Ritrovata in Bologna from the negative. The director of photography supervised the color grading.

Dobro Pozhalovat, Ili Postoronnim Vkhod Vospreshchen (Welcome or No Trespassing) by Elem Klimov (1964, 1h14)
A presentation of the Open World Foundation and Mosfilm. A 2K scanning, sound and film restoration by Mosfilm and Krupny Plan.

La Historia Oficial (The Official Story / L’Histoire officielle) by Luis Puenzo (1984, 1h50)
A presentation of Historias Cinematográficas. Award for Best Actress Ex-aequo at the Festival de Cannes 1985 for Norma Aleandro and Academy Award for Best Foreign Language Film in 1986. A 4K Restoration from the original négative. New color grading done by the director and the director of photography. Digitization of the sound from a restoration of the magnetic tapes the remixed in 5.1 with new effects and additional orchestrations. Funding provided by the Argentinian National Film Institute (INCAA) and work done at Cinecolor Lab under the supervision of director/producer Luis Puenzo.

Marius by Alexander Korda (1931, 2h), script and dialogues by Marcel Pagnol
Restoration by the Compagnie méditerranéenne de film - MPC and La Cinémathèque française, with the support of the CNC, the Fonds Culturel Franco-Américain DGA-MPA-SACEM- WGAW, the help of ARTE France Unité Cinéma and the Archives Audiovisuelles de Monaco, with SOGEDA Monaco. 4K restoration supervised by Nicolas Pagnol and Hervé Pichard (La Cinémathèque française). Works done by DIGIMAGE laboratory. Color grading carried out by Guillaume Schiffman.

Documentaries

Hitchcock / Truffaut by Kent Jones (2015, 1h28)
Co-written by Kent Jones and Serge Toubiana. Produced by Artline Films, Cohen Media Group and Arte France.

Depardieu grandeur nature by Richard Melloul (2014, 1h)
Produced by Richard Melloul Productions and Productions Tony Comiti.

Steve McQueen: The Man & Le Mans by Gabriel Clarke and John McKenna (2015, 1h52)
Produced by John McKenna.

By Sidney Lumet by Nancy Buirski (2015, 1h43)
Produced by Augusta Films, co-produced by American Masters. Presented by RatPac Documentary Films.

Harold and Lillian : a Hollywood Love Story by Daniel Raim (2015, 1h41)
Produced by Adama Films.

Jag Är Ingrid (Ingrid Bergman, in Her Own Words) by Stig Björkman (2015, 1h54)
Produced by Stina Gardell/Mantaray Film.

The Golden Palm's Legend (La Légende de la Palme d’or) by Alexis Veller (2015, 1h10)
Produced by AV Productions.

Guest of honor: Costa-Gavras

Z (1968, 2h07)
Presented by KG Productions with the support of the CNC. Original negative scanned 4K and restored frame by frame in 2K by Eclair Group and by LE Diapason for the sound. Restoration and color grading supervised by Costa-Gavras.

An evening with Barbet Schroeder

More by Barbet Schroeder (1969, 1h57)
Restoration made by Digimage Classics in 2K. The laboratory worked with the original film and sound negatives. Color grading under the supervision of Barbet Schroeder.

Tribute to Manoel de Oliveira

Visita ou Memórias e Confissões (1982, 1h08)
Previously unseen, it would have been screened only at the Cinemateca Portuguesa in Lisboa and Porto, Manoel de Oliveira’s city of birth.

Lumière!

After Georges Méliès in the Grande Salle, to celebrate the 120 years of the birth of the Cinématographe Lumière, screening of a selection of Lumière films in the Grand Théâtre… Lumière. A presentation of the Institut Lumière, of the Centre National du Cinéma and the Cinémathèque française. Screening in 4K DCP. 4K restoration carried out by Eclair Group, in collaboration with l'Immagine Ritrovata.

Outdoor Screenings (Cinéma de la Plage)

Ran by Akira Kurosawa (1985, 2h42)
Original negative scanned in 4K and restored frame by frame in 4k by Éclair. Image and sound restoration under STUDIOCANAL supervision with Kadokawa (Japanese co-producer). Color grading approved by Mr. Ueda (cinematographer), Akira Kurosawa’s close associate on the film.

Hibernatus by Edouard Molinaro (1969, 1h40)
2K restoration presented by Gaumont. Image works done by Eclair, sound restored by Diapason with Eclair.

Le Grand blond avec une chaussure noire by Yves Robert (1972, 1h30)
2K restoration presented by Gaumont. Image works done by Eclair, sound restored by Diapason with Eclair.

Jurassic Park 3D by Steven Spielberg (1993, 2h01)

Ivan the Terrible 1 and 2 by Sergueï Eisenstein (1944, 1h40 et 1945, 1h26)
Digital restoration of image and sound by MOSFILM Cinema Concern. Producer of restoration Karen Shakhnazarov.

The Terminator by James Cameron (1984, 1h48)
Metro-Goldwyn-Mayer Studios' presents the feature ahead of Park Circus' worldwide reissue of the film in over 20 territories this June.

The Usual Suspects by Bryan Singer (1995, 1h46)
Metro-Goldwyn-Mayer Studios will be presenting the film on DCP (in digital format) for the first time, 20 years after it made its premiere at the Festival de Cannes.

Hôtel du Nord by Marcel Carné (1938, 1h35)
Restoration presented by MK2 with the support of the CNC. 2K image restoration (from a 4K scan of the image nitrate negative) done by Digimage Classics.

Joe Hill de Bo Widerberg (1971, 1h50)
2K restoration presented by Malavida Films and the Swedish Film Institute which carried out the works from the original negative.

Special Screening: Enragés (Rabid Dogs) by Eric Hannezo (2015, 1h40)
Starring Lambert Wilson, Guillaume Gouix et Virginie Ledoyen. Produced by Black Dynamite and JD Prod.

SHORT COMPETITION

WAVES ’98 (Ely Dagher, Lebanon/Qatar)
THE GUESTS (Shane Danielsen, Australia)
SALI (TUESDAY) (Ziya Demirel, Turkey/France)
LE REPAS DOMINICAL (SUNDAY LUNCH) (Celine Devaux, France)
LOVE IS BLIND (Dan Hodgson, United Kingdom)
AVE MARIA (Basil Khalil, Palestine/France/Germany)
COPAIN (BUDDY) (Jan & Raf Roosens, Belgium)
PATRIOT (Eva Riley, United Kingdom)
PRESENTE IMPERFECTO (PRESENT IMPERFECT) (Iair Said, Argentina)

FILM SCHOOL (CINEFONDATION) COMPETITION

KOSHTARGAH (SLAUGHTERHOUSE) (Behzad Azadi, Art University of Tehran, Iran)
EL SER MAGNÉTICO (THE MAGNETIC NATURE) (Mateo Bendesky, Universidad del Cine, Argentina)
SHARE (Pippa Bianco, AFI Directing Workshop for Women, USA)
MANOMAN (Simon Cartwright, National Film and Television School, United Kingdom)
VICTOR XX (Ian Garrido Lopez, ESCAC, Spain)
VOZVRASHENIE ERKINA (THE RETURN OF ERKIN) (Maria Guskova, High Courses for Scriptwriters and Film Directors, Russia)
LEONARDO (Felix Hazeaux, Thomas Nitsche, Edward Noonan, Franck Pina & Raphaelle Plantier, MOPA Arles, France)
LOCAS PERDIDAS (LOST QUEENS) (Ignacio Juricic Merillan, Carrera de Cine y TV Universidad de Chile, Chile)
TSUNAMI (Sofie Kampmark, The Animation Workshop, Denmark)
RETRIEVER (Tomas Klein & Tomas Merta, FAMU Prague, Czech Republic)
LES CHERCHEURS (THE WHEEL OF EMOTIONS) (Aurelien Peilloux, La Fémis, France)
ABWESEND (ABSENT) (Eliza Petkova, Deutsche Film & Fernsehakademie, Germany)
ASARA REHOVOT MEA ETSIM (TEN BUILDINGS AWAY) (Miki Polonski, Minshar for Art, Israel)
14 STEPS (Maxim Shavkin, Moscow School of New Cinema, Russia)
ANFIBIO (AMPHIBIAN) (Hector Silva Nuñez, EICTV, Cuba)
AINAHAN NE PALAA (TO RETURN UNTIL) (Salla Sorri, Aalto University, ELO Film School Helsinki, Finland)
HET PARADIJS (PARADISE) (Laura Vandewynckel, RITS School of Arts Brussels, Belgium)
RI GUANG ZHI XIA (UNDER THE SUN) (Qiu Yang, The VCA, Film & TV School, Melbourne University, Australia)